The Science of Light and Colours

 10theise1- Prof.Dr.HM Heise./BP Deepu The New Indian ExpressIn one look he resembles a lesser-hairy version of Karl Marx, but talk to him a tad longer and you may doubt he is the alter ego of St Nicholas, the Santa Claus. Such is the exuberance emitting from Dr Herbert Michael Heise, the German spectroscopist, who had been to the capital city with regard to a science meet being held here.

Ask him about spectroscopy and this scientist will lighten up in a jiffy. His cheery countenance may even come as a surprise in a world where scientists are deemed grouchy nerds. But do not brush him off as a charming science man, because beneath his adorable exterior lies one of the most brilliant minds of his time. Carrying his humility on his sleeve, this physicist narrates his illustrious journey through the formidable world of physics in his strong German-Australian accent.

“Spectroscopy will become a very interesting subject once you get to know the possibilities it has on offer. My interests do not limit to one genre like vibrational spectroscopy alone. I started with microwave spectroscopy which is using microwave radiation to measure the energies of rotational transitions for molecules in the gas phase. And we spectroscopists learn how these molecules are formed, what atoms are involved and what structure it has. Size of the molecule can be determined from the rotational spectrum,” says Herbert. For the uninitiated, Spectroscopy is a branch of physics which studies the relationship between matter and radiated energy through light and its vibrant colours. This physicist, who has an enviable repertoire in the world of science, has been globe trotting to impart his knowledge among science lovers from across the globe. He has age-old tie-ups with National Physical Laboratory, New Delhi, Benares Hindu University, Varanasi and a few universities in Chennai as well.

“I have been coming to India for many years now. I have been working closely with the young physics enthusiasts and spectroscopists out here,” he says.

Herbert’s entry into the world of science was destined. Medicine, which most other bookish students were interested in, never piqued his intrigue. Rather, the thought of blood and human body parts, made him nauseous at times. Incidentally, this spectroscopist’s contributions to the field of medicine, especially cancer, are humongous.

“We had a very good chemistry teacher who came from South of Germany. He made us do a lot of mechanics and dabble with other interesting areas of science. During those days I was intrigued by many things such as the beginning of life and astronomy. I enjoyed watching stars and planets in the night and learning about their inception and their lifespan. Astrophysics thus became my favourite subject. I began to learn how an element was formed, for example sun is formed with hydrogen and nuclear fusion,” quips Herbert. 10theise- Prof.Dr.HM Heise./BP Deepu The New Indian Express

Herbert earned his Phd at the age of 23. He went to do his post-doctoral work in Western Australia and Perth. After 2 years of learning more and digging deep into the subject, he got the opportunity to get into one of the biggest research institutions in Germany, Institute of Spectrochemistry. And sooner than later he addressed an international audience at a science conference in Venice.

“Spectro-physics was invented more than 150 years ago and using this analytical tool working with protons and light one can do wonders. It is a fascinating area because you can use it for recognising drug usage to forensic investigation,” says Herbert. From playing a huge part in curing cancer (Raman spectroscopy) to adding perfume to your attire, spectroscopy is widely used in our day-to-day life.

Herbert, who is involved in a spate of projects across the globe, is quite passionate about the medical instruments which he has been developing for the past few years.

“With those instruments one does not have to keep checking their blood for sugar or other diseases. Just by keeping it near your body it reads the amount of sugar in one’s body and even if it’s low or high one can take immediate action,” says Herbert.

He is also working closely with dermatologists to find a cure for the diseases caused by ultraviolet rays (uvi).

Strokes of melancholy

 yusuf-arakkalThere stood a six-year-old boy, orphaned in an unfair world, soaked in melancholy, awaiting his long-lost loved ones, beside the seashore. The grand ancestral home, that adopted him as their own, had wiped away his tears. Nevertheless, at heart, he counted himself an orphan. Yusuf Arakkal, the current Raja Ravi Varma Puraskaram winner  and one of the most prolific artists in India today, says, it is the agony that he hid behind a brave face from the time he lost both his parents, what makes his strokes black and brown rather than yellow or red.

Yusuf has been a very active youngster, with a bit of football and art as companions. His strokes held maturity even during his earlier days. The anguish-filled paintings soon gained attention, and he set about to pursue art. His decision did not bring positive reactions from his family, who wanted young Yusuf to be a doctor, engineer or at least a lawyer.

“I had ran away from home at the age of seventeen to Bangalore. All I wanted was to become an artist. Without any money at hand, I had to do all kinds of small-time jobs, except cleaning toilets. It was the most struggling days of my life and I revisit those days in my paintings,” he says.

Yusuf-Arakkal (1)The solitude series which portrays man in his weakest of moments contemplating, nursing his mental wounds, all battered and torn, is a representation of the artist’s own agony. Similarly, every painting of Yusuf has some story or other to narrate to the viewers. His reading habit is what led him to do a series on books, which has inspirations from Chinese sculptures to K C S Panicker. After visiting Vaikom Muhammed Basheer at  his home, Yusuf had come up with the idea of a series on Basheer and his works. Though it  materialised only after Basheer’s death, many still consider those as his best of works.

Except a distant relative of his, who was a portrait artist, Yusuf has no trace of art in his family. Yet, he conquered Bangalore art world within no time and even garnered awards from all over the world. Yusuf’s artworks delineate working class, literary works and even day-to-day apparels. The  chiaroscuro effect or the Rembrandt influence that he calls it, is prevalent in almost all his works.

“I wouldn’t call it chiaroscuro, as Rembrandt’s paintings do not have such dramatic light-and-shade effects, instead he subtly used it in his favour,” says Yusuf.yusef-arakkal-generation-gap-o.c-2001

The brown and black palette is often brightened with a manoeuvre of red strokes in between, he calls it a touch of light or a relief to his dark shades. “My artworks come from my experience, whether it is literary works, sculpture art or paintings, one cannot bring in feelings without actually experiencing it,” says Yusuf.

He has received plaudits from all over the world; however, he considers Raja Ravi Varma Puraskaram his best, “I am considered a good artist wherever I go, but at home my wife doesn’t see me like that, I am just a husband for her, likewise, getting something as big as Ravi Varma Puraskaram from your own land is something you would cherish always,” says Yusuf.

Yusuf, who had studied art at Karnataka Chithrakala Parishat, says, “A formal education is not compulsory for an artist. An artist do not need any qualification to express his art. But the technical know-how of the craft is necessary, for that education does help”. Destiny played in favour of Yusuf, as it was Jaya Varma, a relative of Raja Ravi Varma, and a graduate from Royal College of Art, London, who first taught the lessons of art to him. Yusuf studiously learned European Academic portrait painting for one-and-a-half years, under Jaya.

Yusuf is conducting an exhibition of his paintings which has pieces from his series, book, solitude and apparel at Durbar Hall, Kochi, to commemorate his winning the Ravi Varma award

Go Fish!! (April 6, 2013)

fish Vegetarians, take a back seat, as this is an ultimate ride into the world of Kerala fish curries. The ones that make tourists come back for more. This indeed is an expedition unveiling myriad fish curries and their specialties across the state. Whether it is seer (nemmeen) or anchovy (netholi), each fish plays a principal role in deciding a culinary expert’s mind about the way it should be cooked.  Likewise, each district in Kerala has its own signature style in cooking fish curry.  

What makes Kuttanadu unique, other than its enchanting lakes and delightful houseboat rides? Have no doubts but it is the scrumptious sea-food delicacies it offers in diverse flavours. From karimeen (pearl spot) pollichathu to nadan njandu (crab) curry, Kuttanadu has answer to every epicurean query that could satisfy the death wishes of a connoisseur while tickling his taste buds.

Shebuloon Jacob, Chief Chef of Dubai hotel, Kumarakom, says, Kuttanadan fish curry is scrumptious mainly because it is cooked with fresh water fish instead of sea fish. Pearl spots, barramundis and many other freshly caught fishes are used for kuttanadan curry. Unlike other fish delicacies around Kerala, mustard and gram flour are used in this curry.

For Saleena, who hails from Thalassery, her ‘porichanam’ (fried fish) curry is mostly made with fleshy fishes such as neymeen (seer fish) or ayala (mackerel).  The fish marinated in chilly, turmeric and salt has to be fried before making this curry. Keep grinded coconut, fennel seeds (perumjeerakam), chilly powder, turmeric and coriander powder (a bit more than chilly powder) aside, while onions, tomatoes and chillies are fried in oil until the onions turn golden brown. Pour some water and the grinded masalas into the frying pan with the onions and tomatoes. When they are heated, add the fried fish in it. Once the coconut is cooked you can take it from the burner.

F.curry1Kudampuli (gambooge) is an inimitable ingredient in many fish curries around Kerala. Whether it is Ernakulam, Kottayam or Kollam, kudampuli is one common element that is being used in fish curries all over Kerala. 

Daisy Antony from Ernakulam says, she uses Kashmiri chilly powder for her fish curries as it brings a tantalizing colour to the curry without adding much flavour. Ernakulam and Thrissur fish curries are made in coconut milk rather than grinded coconut, though in Thrissur they use mango, kudampuli or a bit of tamarind in their curries.

Zain’s restaurant in Kozhikode is one of the most celebrated sea-food joints in Kerala. The delectable Malabar dishes in here are unrivaled, as they are made under the supervision of one and only one Zainuthatha. We are lucky to include Zainuthatha’s famous Fish Stew recipe in our story. Fish stew – Take 250 gram cleaned seer fish (neymeen)or pomfret (aavoli). Marinate it in chilly powder, turmeric powder, and salt. It has to be fried in coconut oil before cooking.  Three extracts of milk of different concentrations has to be strained from a coconut. Heat a pinch of fenugreek, 8 green chillies, 1 sliced onion, ginger, coriander leaves, and curry leaves in pure coconut oil and pour the thinnest coconut milk in it. Put some coriander powder and a pinch of grinded cumin (jeerakam) in the mix. When the mix is boiled, add fried fish. Add thinly sliced tomatoes to the mix and salt for taste. Now it is time to pour the second concentrated milk. Once it is boiled add the thickest milk to the mix and take it away from the burner before it is boiled. Zainuthatha guarantees this curry will be the best fish delicacy you have ever had in your life.

Fish Curry (4)Though, Thiruvananthapuram fish curries are not famous in North, its taste and flavours are much different from any other district. “We use drumsticks and some times bitter mangoes in our fish curries and our curries are brown rather than red,” says Jayashree K S from Thiruvananthapuram.

Mariamma Kurien from Kollam, says their ‘mulakitta meen curry’ will last a week as they do not use coconut in their dish. It is the same case with fish curries in Kottayam named ‘Meen pattichathu’.

The Bamboo Boys (Sunday Standard July 27)

Bamboo band By Ajesh MadhavBamboo is their soul and sound. ‘Vayali’, a Thrissur-based band formed in 2004, has taken Kerala folk music and tribal percussion nestled in and around the river Nila to a new audience. Named after ‘Vayali’, the Goddess of the paddy fields, the band believes in the “purity” of instrumental music.Bamboo band By Ajesh Madhav

The musical instruments, solely made of bamboo, except for the metallic timer which couldn’t be converted into a  bamboo version, are made by the members themselves. Among these are long drums, leather drum, seven longs, kirti kirte, rain stick, bamboo marimba (xylophone), flute, ‘mulam chenda’ (bamboo drum), and ‘onavillu’ (a traditional Kerala instrument that looks like a bow). Some musical instruments found in other parts of the world inspire the members of Vayali to experiment and innovate. Kheena (a Bolivian instrument made with cattle bones) and Dan trung (the Vietnamese instrument), have been made in bamboo.

Pradeep, one of the band members says, “Our flautist Krishnadas saw a kheena while surfing the internet. He tried to make it in bamboo. It worked.”

Apart from Vinod and Pradeep, the band has eleven members. Vayali is the brainchild of a software engineer, Vinod Nambiar, who keenly follows the Valluvanadan (an area formed by the contiguous portions of Palakkad, Malappuram and Thrissur Districts in Kerala).Bamboo band By Ajesh Madhav“There was a Centre for Folklore Studies in Thrissur. I worked closely with the organisation. Their work made me understand the value of our culture and tradition, and the pressing need for preserving them. I joined hands with a few like-minded friends, and Vayali was born,” he adds.

It was a Japanese girl, Tomoe, who gave the much needed push to the band to perform outside India.

Tomoe was learning Mohiniyattam at Nadana Kairali, Irinjalakuda, and fell in love with Vayali’s music. Even after she left for Japan, she kept in touch with the musicians and ensured that the band performed at the Music Festival conducted by Japanese Government at ‘Mount Fuji’ in 2007. The theme of the band is Ulanju Kutta, a folk lullaby from Thrissur. Daffodils, A walk into the village, Rangoli, Thaalam, Nature, Vanjippattu, Vasantharthan, kurumpattu, and nedumpattu are some of the popular Vayali melodies.

“After returning from our performance in Japan, we explored the bamboo music traditions. We have researched a lot on the sound and tradition of bamboo music. Tribal percussion instruments such as ‘Mulam Chenda’, ‘Mezha Mooli’ and the flute got a new lease of life,” adds Vinod.

Bamboo band By Ajesh Madhav  Vayali has performed at the Kerala Kalamandalam, Fireflies Festival of Sacred Music in Bangalore, in an ensemble with the Japanese Bamboo Orchestra Rakutakedan at Kalpetta and the CMS Vatavaran Short Film Festival in New Delhi.

Making music wasn’t easy initially. Most of the members were from economically backward communities. Being the sole breadwinners of their families, they found pursuing music difficult.

However, they were driven by a passion for their folk traditions. “We decided to make the folk performing arts our livelihood. It changed our lives forever,” says Vinod.

A life offered to art (Aug 2013)

  uprecentWhat would a tenth-grade rank-holder, the then talk of the town, do for a living when she grows up? Test her curing skills or break a computer code? When young Parvathi Nayar revealed her dream to be an artist to the school principal all hell broke loose. Between lashes of protests, her parents stood by her and welcomed her decision with both hands. Today, when her name resonates in the realms of Indian art world, Parvathi smiles humbly.

Being a part of Jaya Bachchan’s list of 70 best Indian artists to the Indian Government’s preferred painter for Mumbai International Airport, this woman of substance has been there and done it all.

Having a repertoire as impressive as any other big name in Indian art scenario, this Chennai-based Malayali artist has much to boast off. On her visit to the capital city Parvathi spares some time for the City Express.

“I have always drawn and painted, I suppose a child would always draw and paint but for me it was like finding myself. My mother was a painter, so the drawing materials such a charcoal and brushes were always available. Hence, I started with those at first,” Parvathi reminisces. Rasa- Nine Links

From those vibrant brush strokes that aided her in forming her individual style, Parvathi has come a long way. Today, her love for detailing which was persistently there ever since she commenced her artistic journey, has made her abandon lines and colours to find solace in pencil dots. It is with those pencil dots, she has created magic on humongous canvases that could narrate volumes in a glance.

“When you put a lot of detail together it tells a story.  Like in literature, sometimes it is very descriptive that it delves deep into people’s psychology. But it is not the end in itself. For me, the detailing is a visual hook. It draws you in but then I am hoping you will see something larger beyond that,” Parvathi elucidates.

Parvathi’s works, be it the forensic cinema or the win lose draw series have similar qualities that prod human minds with unanswered questions. With intricate contours of pencil dots she unfastens the myriad facets of world and lets the viewer indulge in its complexities.

The poignant voids between the black dots are her protagonists. In her forensic cinema series, on wooden panels she freezes Raj Kapoor and Nargis in their Awara avatars and enmeshes the fast moving imagery of cinema with the mating of sperm and egg.

In that mélange of love and life, she captures the essence of forbidden love while beautifully depicting a sperm’s journey to meet with its counterpart.

But within all its unfathomable yet vocal obscurities of her cinema series, she tries to converse with the common man through hilarious English subtitles that accompany regional language films.

vrana2A stern and sober Raj Kapoor pronouncing ‘I am no gentleman, savage” would bring a smile to anybody’s face.

“The English subtitles for Indian films are quite interesting. When you do word-by-word translation, instead of meaning the same thing there is a big chance that whatever the actor wanted to convey becomes hilarious. Like the one or two I have given in the Forensic Cinema and my Tamil cinema series,” says Parvathi.

While the forensic and bones series deal with the body and its intricacies in minute details, location| locality series tries to locate our existence in our own body while interconnecting it with pathways and maps.

After receiving her Masters in Fine Arts from Central St Martins College of Art and Design, London, on a Chevening scholarship from the British government in 2004, Parvathi has gained a renewed confidence that took her to places.

Being the only Indian artist to present an installation of drawings at ArtSingapore, Singapore’s national art fair to having her works collected by institutions such as the Singapore Art Museum, The Sotheby’s Art Institute and Deutsche Bank, Parvathi’s achievements in the art field is immense.then and now 2

She was among the seventy Indian artists including Anjolie Ela Menon, Akbar Padamsee, Badri Narayan and Satish Gujral selected by Jaya Bachchan to celebrate Amitab Bachchan’s 70th birthday by presenting him with 70 paintings. In her painting Rasa,  panelling nine parts of Amitabh’s film Zanjeer which had him in his ‘angry youngman’ persona for the first time, she captures the most memorable moments of Bachchan’s performances in black and white and eases them out with a hint of crimson and jade here and there.

With a lighted fire cracker or sheer simplicity of a shrub, which stands apart from the pencil dot backdrop, Parvathi brings in fresh socio-cultural dimensions to the work. In Parvathi’s works the world achieves more vicinity in its details.

However, the abstract-like quality to it disappears once the work piques you in.

“Say with the forensic work, a lot of people approach it like, oh my god she did it all by herself and it’s so much work, so much detail and then they think it is an abstract.  Once that draws you in, you realise there was something more to it. There’s a narrative, there’s a story, that it is looking at the body, life and the world in a different way,” quips Parvathi.

Parvathi-Nayar-1Parvathi says in order to survive in today’s art world one should constantly negotiate what is decorative, art and craft. And shape oneself accordingly.

When she looks at her love for detail, Parvathi also feels that she is very Indian at heart. “So there is that Indian impulse, even if it is the mehendi on your hand, the sari weaves, the designing quality about all of it is always there,” she says.

About her daughter she says, “I really feel she is rewarding me rather than me rewarding her. It is really enriching as it is fulfilling in both ways for the child as well as me.

Parvathi’s love for her homeland is evident when she says she would love to do a series on Kerala streets sometime. She is waiting to capture the beauty of god’s own country with a camera to create something wonderful with it.