For a rank outsider, who knows Australia from the movies and cricket matches, it is the land of Hugh Jackman, Shane Warne and koala bears. But, the little known factor is that it is also home to 500 or more indigenous aboriginal tribes, the oldest in the history of the world. This small continent revels upon such exquisite traditions hidden beneath the picturesque view of its snow-capped alps, lush greens and the deep blue sea. Beyond its contributions to cricket and cinema, Australia has a remarkable tale to recount from the time Dutchman Willem Janszoon discovered it in 1606. Sedunath Prabhakar, a Malayali, who took off to Australia in 2008, to pursue art, has done extensive research on Australian history and translated it into a 50-metre-long canvas. Engraved with the portraits of 50 Australian personalities from various walks of life, who had contributed largely to the country’s betterment, Sedunath’s oeuvre is the first of its kind in the history of Australia.
“This painting is my small attempt to narrate the Australian history through art. I am planning to exhibit it on November this year at Melbourne. My researches included interviews, books and historical references to get the exact information regarding the people. It took 1.5 years to complete the work done in acrylic,” says Sedunath.
Sedunath painstakingly handpicked personalities, who made waves in the country, starting from the 1700s to late 1900s. Impervious to the effect she had on the viewers, Emily Kame Kngwarreye flaunts her lopsided smile and looks up from Sedunath’s canvas. This aboriginal painter was one of the most prominent contemporary Indigenous Australian artists in the world. Following her comes John Monash, who played a cardinal role during the First World War, with his commanding
abilities. Sedunath doles out spaces for Patrick White and Elizabeth Blackburn equally, the Nobel prize winners in literature and medicine respectively and also paints Robert Menzies, a man who won prime minister post twice.
Sedunath, a full-time artist at Melbourne gained a newfound mojo in Australia, where he conducted multiple group shows.
“I got a chance to participate in four group exhibitions in Melbourne, Australia. The first exhibition was conducted by Dandenong Art community for the ‘standing at the cross road’ award. I won the first prize from the 200 non-Indian participants. I am happy to be the first Indian who won this award,” says Sedunath.
Back in the day, when Sedunath was just Pradeep Prabhakar (his official name), he strived to carve a name in the Kerala’s art scene. Being a full-time artist in Kerala was never an easy task. He resigns to a brooding mood when asked about his struggling days in Kerala.
“In Kerala, people don’t appreciate original art. They are looking for copies. I could not make my ends meet with just art. I had taken up a job as a graphic designer,” he recalls. He moved to Gujarat after his degree and in Baroda he found his destiny.
“My brother was in Gujarat at the time when I went to Baroda. There I got a chance to paint Jain history in one of their temples. The priest who gave me the assignment spent a lot of time with me to narrate the wide history of Jainism. That is when the world looked up to notice me,” says Sedu. He was given the ‘Hemaprabhu Guru’ award for his massive work on Jain tradition done on oil paint. Later, he did his fine arts degree from the prestigious Baroda School of Art, where he gathered a broader perspective on life, the complex aspects of human society and more.
When asked what inspires his works he says, “The relationship between the nature and human beings is a recurring theme in my works. My works also explore the intricacies involved in religion and its interplay with society. Like all true artists I used
to draw inspiration from tradition especially its parallel streams.”
Sedunath’s interests are not limited to just art. This multi-talented artist, who has a black-belt in Karate, also dabbles with literature and Carnatic music in his spare time. Sedunath has a novelette, Bhroonam, published in 2001 to his name as well.
Sedunath plans to delve deep into the rich artistic tradition of Australia and integrate it with his own during his stay in the country.

being shell-shocked to numb in the matter of days, when a terminal disease hits their loved ones. There are mentions of her own family members being rigid and unresponsive during the trauma. Ask her what their reactions were when they saw the book and she says they were mixed. “I have got both positive and negative feedbacks from the family. But by the end of the day they all accepted it as writer’s freedom and I am grateful to them for that,” says Nazeem.
Sainaba’s long and curly hair bore no traces of her age until her untimely death in 2013. When she stayed with her children in UAE, she asked them to buy her a hair cream. Nazeem who found her sudden interest in haircream amusing, later regrets her words. All cancer patients who undergo chemotherapy have to shave off their hair. But Sainaba, who was in an advanced stage, was not even suggested chemo. Hence, Nazeem’s mother never went bald. Even in her delirious state she had her long beautiful hair haloing her. Through soul-stirring connotations and heartfelt confessions, Nazeem makes ‘My Mother did not Go Bald’ a compelling read.



