Gandhi Aka George Paul

 IMG_7009His bald head is gleaming in the evening sun, when the oval-rimmed spectacles look up from that benevolent face. The frail form wrapped in a crisp white Khadi shawl leans onto a polished stick for support. The little black-binded Bhagavath Gita is held close to his heart while the gold chain of a pocket watch is hanging from his Dhoti. Such small connotations are all that is needed for an Indian to remember his father of the nation, Mahatma Gandhi. And who else knows it better than George Paul, a man who has been enacting Gandhi on reel and real life for the past 30 years. Ben Kingsley’s Gandhi would give a run for his money, if he ever sees George in his Gandhi avatar. George, who has portrayed Gandhi in around 4,000 occasions, first impersonated him for a fancy-dress competition.

I first dressed up as Gandhi in 1985, April 24 for a fancy-dress competition held in our company. A few of my colleagues in the Punnapra Scooters company, Alleppey, suggested that my face will suit Gandhi‘s role perfectly. Sreekantan, one of my friends who used to act in plays painstakingly did the make-up. Once done, from the admiring glances of the onlookers I instantly knew, it was a success,” says George. People stood up from their seats the moment he entered the arena and greeted him with starstruck gestures.

George, who was just 37 at the time, had to shave-off his long and curly mane, for the act. Henceforth, he had never let it grow. His steady strides to his custom-made leather slippers, there is nothing in George that does not remind you of Gandhi. A staunch vegetarian and a teetotaler, George has been adamantly following Gandhi‘s footsteps for the past 30 G 1years.

The only luxury I have is a bicycle I use for travelling. Otherwise, I try my best to follow Gandhi‘s teachings. This is a god-given gift and I cannot tarnish it with my bad lifestyle,” says George. From naming his house ‘Sabarmathi’ to entering into myriad philanthropical activities, George is reigniting Gandhi‘s name in his own little ways. From school, colleges to cultural fests, there ‘s not a place George has not blessed with his presence. Ask him about the costume and he says he recreated it from the scratch.

One of the local shoemakers made the leather slippers, while an optical shop made the spectacles. One of my friends’ father, who participated in Vaikkom Satyagraha gifted me the watch saying I should return it to him. But when I gave it back to him, he didn’t take it, instead asked me to put it to good use,” says this Gandhi.

An exact replica of Mahatma, George often has to deal with the dizzying adoration of Gandhi fans. But, he says he enjoys the attention and seeks for more.
When asked how his wife and son took his sudden decision to impersonate Gandhi 30 years ago, he says, at first his wife Valsa could not digest him losing the good hair for an impersonation. “Later, when she saw the people’s reaction she conceded,” he says.

George has a spate of feature films, documentaries and shortfilms to his credit where he reprised his Gandhi act. ‘Yugapurushan’, ‘Methiyadippadukal’ and ‘Hansen’s Disease’ are some of his significant works.

I have even received an appreciation certificate from the then Prime Minister Rajiv Gandhi in 1985. One of my friends prompted me to send my details to Rajiv Gandhi and he conferred a certificate to me within a few days,” recalls George. IMG_6999

Currently, George is working on a stage-documentary with a spew of students from St Aloysius School, Punnapra. He also travels around with the speed cartoonist S Jithesh for a stage show Jithesh designed with Gandhi.

Not many would know, it is not Gandhi but George, who has been the model to many Gandhi statues we see in and around the state. This Kothamangalam native, who settled in Alappuzha eons ago, is in a resolve to bring back Gandhi in his walks and talks. 

Tracking Race History

James Hunt and Niki Lauda  The speed-junkies remember them for the sheer skill they exhibited on the race-track. Their rivalry was the talk-of-the-town in the late 70s that even Hollywood celebrated it in their big- budget action caper ‘Rush’ last year. Neither sticklers of protocols nor afraid of speed, they rewrote history with their impeccable driving style. Niki Lauda and late James Hunt, the racing giants, who wowed the audience by taking Formula 1 racing to another level, would be only too happy to see their sons joining hands at the track this year. At MRF Formula 2000 Championship to be held at Qatar, Freddie Hunt And Mathias Lauda will come together for the first time for M&N Racing, a team owned by city-based racing fanatic Jose Pottamkulam alias Ootta. But what is more interesting is that Jose would be canning the candid moments they share together for his documentary ‘Sons of Speed’.

Jose PottamkulamIt was interesting to see their sons bond while their fathers were of extremely different temperaments. While Hunt, a British man, was extremely flamboyant and a playboy, Lauda, an Austrian was extremely serious about his profession during his heydays. Lauda had met with an accident while driving that left his face permanently disfigured,” says Jose.

Jose’s documentary being written and directed by Navneet Prakash will record the racers’ day-to-day preparations, trials and the lifestyles. Jose says that the the purpose of the film is to showcase the passion that the two drivers have for racing.

We would be discussing their routine, their dedication, the trials and tribulations of motor racing, the impact of their father’s legacy, the behind the scenes account of the racing championship, the intense competition,the drama, the excitement of racing and much more,” says Jose.

But Jose does not forget to mention that the sons, especially Freddie Hunt, are not into racing as much as their fathers. tumblr_inline_mum6qoFuWJ1r2a6amHowever, he expects them to keep the legacies of their fathers intact.

The documentary will have personal interviews of Freddie and Mathias focusing on how they got into racing. The makers are also planning to include comments from other team members, racers’ family members and friends, a senior member from JA Motorsport and a racing historian. Jose would be recounting his personal experiences which he had with the racers for the film as well.

Even though Hollywood has already captured the lives of Lauda and Hunt in their movie ‘Rush’, I wanted to show the camaraderie their sons share on track as well as real-life. As they would be racing for my team, it would be easier for me to lap up such precious moments,” says Jose.

Only time can say if the sons can recreate the gravity-defying spins and turns their fathers were famous for. With the same level of anticipation and dizzying adoration fans are awaiting the Lauda and Hunt reunion at the Qatar soil.

freddie-hunt-As we cannot predict the outcome of the races, we will be scripting and planning the film’s story as the championship progresses. The film’s flow will be based on the championship results,” says Jose. Divya Menon is the associate producer of the film.

Caught in the Vagaries of Life

Book cover
The more I tried to love

The more I was left out

The more to injustice I bowed

The more it made hatred sprout

All around me was unfair strife

And here I was paying with my life

– Rajshree Raajgopal

It is not everyday that you come across a book that keeps you glued to its pages till the very end. Good fiction written in flawless English is also a seldom occurrence in Kerala. But, Rajshri Raajgopal’s ‘Boomerang’, written in impeccable English, will affiance you till page 225, with its refreshing story line. Boomerang, even though falters at times in terms of theme, is one such book, which easily prompts the reader to join the protagonist in her exacting journey.

Divulging the travails of a woman, that too a Malayali woman, Rajshri Raajgopal sets out to unearth the passion and longing hidden beneath a woman’s stiff exterior. In an explicit sketch of Anna trapped in a loveless marriage, Rajshri takes a dig at the Kerala society, where millions of women endure the woes of their marriage fearing social wrath.

Scrawling the pangs, passion and tribulation of Anna Subramaniam, her protagonist, Rajshri deliberates the readers to introspect on how our society treats women. By letting you into the inner turmoils, emotions and yearnings of Anna, Rajshri denotes that even educated women do not have the freedom to raise their voices in this society. Since the book is a first person narrative, there are instances when you could see glimpses of Rajshri in Anna.

Anna Subramaniam pined for love like every teenage girl. She longed to dance to its rhythm and be lost in its contours. But the vagaries of love take a toll on her convictions from the very first taste of it. But she clutches on to her dreams, often falling short of breath in the process. When her first love leaves her to lick her wounds in desolation, her husband makes her lose belief in love.

RajshriAnna had to bear the brunt of her inept parents – an alcoholic father and a submissive mother – while growing up. Her Christian mother, who fled with a Hindu man in her teen years, was still a sore in the eyes of her relatives. Later, when her father leaves them to destiny, Anna finds a job at a five-star hotel. There she meets George, who marries her eventually. George, his parents and his sister found her presence interfering with their privacy. For them, she remained an outsider. The succeeding events lead to a miscarriage leaving her devastated. She later finds solace in Dev, an acquaintance of George, who married her and treated her like a queen. But the story doesn’t end there. When Dev, her dream man, sashays into her life, the desperate romantic in you may hope against hope for a happily ever after for Anna. But the darkness, lurking behind the closed doors of Dev’s house, is all ready to strike at Anna’s weakest moments. Rajshri succeeds to keep the suspense alive till the end, making the reader find the name of the book, aptly given. The author does not refrain from illustrating vivid sexual sequences between her and Dev, implying there is nothing wrong in women craving for sex.
Rajshri delineates flashes of Anna’s emotions, the people she meet and the traumas she brave out in simple poems that easily pique your intrigue. Anna recalls the moment she met Maya for the first time in a crisp poem. An aura of mystery masks Maya till her identity was revealed in the tenth night.

I stared at her, beautiful but wan

Among the dead the like of a swan

A sight so true yet so rare

Not to shock or shake or scare

But to teach realities so stark

To kindle a fire with one little spark

Of love for life that she had lost

That was with me, now valued most…

Rajshri, hailing from Thrissur, picks the capital city to play the backdrop of her story.
Boomerang is Rajshri’s debut adult fiction. She has written numerous children’s books for Mimitra enterprises.